Description
ARTICLES
TREATMENT FEATURE
The Conservation of Giovanni Segantini’s Alla Stanga from the National Gallery of Modern Art in Rome
by Francesca Secchi
ARTISTS’ PRACTICE
The Role of Reconstructions in Painting Conservation: Some Notes on the Benefits from an Early-Career Conservator
by Anna Don
IN THE FRAME
Restoring pressed-composition ornament to the frame around Arthur Melville’s ‘Audrey and her Goats’
by Alastair Johnson
TECHNICAL FEATURE
Cleaning of Modern Oil Paints: Introduction and Project Update
by Judith Lee and Bronwyn Ormsby
TREATMENT FEATURE
Conservation Treatment of a Royal Arms to George III
by Polly Saltmarsh
TREATMENT FEATURE
‘Affectivity’ and Fugacity: Two paintings by Valentin de Boulogne
by Mowenna Blewett, Lynne Harrison, Gabriella Macaro and David Peggie
MATERIAL FOCUS
Review of Kremer Colour Chips in B72
by Simon Gillespie Studio
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