Description

Retouching and Filling

The ABPR conference in 2000 explored the ever popular subject of Retouching and Filling. Held at the National Gallery, London the one day conference covered various aspects of retouching and filling, presenting optical considerations, different techniques and interesting case studies. The conference included a poster section and a trade fair.

Contents

Retouching: Colour Vision and Optical Considerations
David Saunders, National Gallery, London

An Evaluation of Italian Retouching Techniques
Louise Ramsay, Independent conservator/restorer

The Restoration and Reconstruction of Lorenzo Monaco’s Coronation Of The Virgin
Paul Ackroyd and Larry Keith, National Gallery, London

Retouching Damaged Modern Art
Roy A Perry, Tate Gallery, London

An Evaluation of Transparent Yellow Pigments For Use in the Retouching of Paintings
Karine Joubert and Alan Phenix, Courtauld Institute of Art, London

Different Approaches to Retouching: Portrait of Sir John Luttrell by Hans Eworth
Steven Gritt, Courtauld Institute of Art, London

Ben Nicholson’s Festival of Britain Mural
Timothy Green and Samantha Hodge, Tate Gallery, London

Tempera Retouching: Case Notes
Mary Kempski, Hamilton Kerr Institute, University of Cambridge

Pages: 50 pages
Publisher: ABPR 2000
Language: English
Product Dimensions: A4